This year the Finnish Cultural Institute for the Benelux celebrates the 150th anniversary of the birth of composer Jean Sibelius in various ways. In the programme we will highlight different sides of the composer’s work: besides symphony concerts and some of Europe’s best chamber musicians, also surprising examples will be offered on how Sibelius’s legacy has been passed on to today’s new creative talents in different fields.
Sibelius’s importance for Finland is unquestionable, but like many other artists of his time, Sibelius lived and worked foremost as a European artist on our common continent – decades before anyone could even dream about the EU, the EC or even the Benelux Union. Sibelius spent long periods of his life in Berlin, Vienna, Paris and Italy and on his concert tour in 1900 also walked the streets of Brussels, Rotterdam, Amsterdam and The Hague. Now, 150 years after his birth, his music is played all over the world and his violin concertos are the most widely performed and recorded of all the concertos composed in the 20th century.
Sibelius’s compositions have left a permanent mark on the history of music. Best known among his extensive production are his symphonies and other large-scale orchestral works, but acquaintance with his solos, choir compositions and other chamber music works is also well worthwhile. “It doesn’t matter what music you play as long as you do it well”, Sibelius is told to have remarked when he heard a relative complain about a child’s enthusiasm for jazz. The composer, who drew on folk music and different arts, left a legacy that has inspired creativity in all its diversity from one generation to another.
It has been said that Sibelius’s music does not principally reach out towards the world, depict nature and its stateliness. Instead, his works find their way to people’s innermost feelings, giving a voice to how the experience of nature moves the human soul. Nature probably was the most central source of inspiration for Sibelius. This is what we especially want to draw into attention by bringing a Jean and Aino Sibelius memorial birch from a patch of forest by Sibelius’s home, Ainola, to grow in Brussels.
Jean Sibelius died at his home on 20 September 1957. The UN General Assembly honoured him with a moment of silence and the Chairman of that assembly, Sir Leslie Munro, commemorated him with the words: “Sibelius belonged to the whole world. He enriched the life of the entire human race with his music.”
You will find the programme for the entire anniversary year at: sibelius150.org/fi
The Finnish Cultural Institute for the Benelux is undergoing personnel changes. Head of Programme, Annukka Vähäsöyrinki’s duties end in June, but she will continue to be responsible as a producer of the Mobile Home(less) project from Finland until the end of the autumn and will begin work as a representative for the Finnish Cultural Institute in Benelux Trust. Project intern via the Svenska kulturfonden (Swedish Cultural Foundation in Finland), Emma Mether will move into the role of coordinator in the 2017 autumn. CIMO (Finnish National Agency for Education) intern, Alix Helfer’s work period handling the Institute’s communications ends in July. The next CIMO and Svenska kulturfonden interns will take up their duties in the autumn. Annukka, Emma and Alix share their experiences of the Finnish Cultural Institute for the Benelux.
The Finnish Cultural Institute for the Benelux will present visual artist Anssi Pulkkinen’s commissioned work on the theme of homelessness from 22 June until 6 July in front of the BOZAR Centre for Fine Arts in Brussels. After Brussels, the 13.5 metre long installation composed of the ruins of a destroyed Syrian home will be exhibited in other parts of the Benelux and the Nordic countries. The installation is part of Mobile Home 2017, an umbrella project of the Finnish cultural and academic institutes.
In the essay collection ’Home Reassembled – On Art, Destruction and Spaces in Motion’ a diverse, international group of authors comment on artist Anssi Pulkkinen’s work Street View (Reassembled) and use it to delve into some of most critical topics of our time such as home, homelessness, identity and belonging.
Anssi Pulkkinen’s artwork Street View (Reassembled) will be exhibited in the Benelux countries in the spring and will be seen in Finland for the first time at the Habitare expo in September. Also Syrian architect Marwa Al-Sabouni arrives in Helsinki as a keynote speaker at the Habitare expo to discuss the rebuilding of Syria.
(FR) L’église finlandaise des marins de Rotterdam organise du 2 au 11 juin à Rotterdam le festival Extraordinary Finland Week en l’honneur des 100 ans de l’indépendance finlandaise. Cette semaine de festivités donnera à chacun l’occasion de se familiariser avec la culture et les traditions finlandaises autour d’un programme comprenant entre autres des séances de sauna, des concerts, des expositions d’art, des colloques et bien d’autres choses encore.
The Finnish Cultural Institute for the Benelux’s Mobile Home(less) project is progressing steadily, and sculptor Anssi Pulkkinen has begun constructing his work Street View (Reassembled) in Belgium. The artwork brings the ruins of a Syrian home, from being mere news images, into our reality. The ruins arrived in Europe in May and the work which is an exploration of homelessness will be completed at the end of this month.